At long last my sapphic Snow Queen retelling is here! Celebrate Valentines Day with a Snow Queen retelling full of secrets, ghosts, and a disaster bi thief and femme witch falling for each other opposites-attract style.
In a Sweden wracked by war and haunted by folk stories so dark they can only be spoken of in whispers, Helvig has been raised by her brigand father to steal whatever treasure catches her eye. When her men ambush a strange girl on the road with hair pale as death and a crow perched on her shoulder, Helvig cannot resist bringing home a truly unique prize: a genuine witch.
Drawn irresistibly into the other woman’s web, Helvig soon learns of Gerda’s reason for walking the icy border roads alone: to find the Queen who lives at the top of the world and kill her. Anyone else would be smart enough not to believe a children’s story, but Helvig is plagued by enchantments of her own, and struggles to guard the sins of her past while growing closer to the other woman.
As Christmastide gives way to the thin-veiled days when ghosts are at their most vengeful, the two women will find themselves on a journey through forest and Samiland to a final confrontation that will either redeem them or destroy them entirely. It’s DEATHLESS meets FINGERSMITH in this coming-of-age fable!
After getting asked a couple times this week for my advice to early career writers, I decided to throw everything I didn’t learn from my BA in creative writing into one handy reference. Many of these lessons have to do with emotional resilience, self discipline, and self care. Some of this advice is more pertinent to career writers than hobby or intermittent writers, so feel free to select what is helpful to you. And it’s okay if you’re in one category one day and another the next; identity is nebulous.
Talent is only 30% responsible for success. During my time in my program, I saw incandescently talented writers languish in obscurity because they didn’t make the time to work on their writing, or because they didn’t think they were “good enough” to submit their work for publication (we call this self-rejection, which is another name for the devil). Other writers, objectively less talented and less experienced, ended up getting the grades and the acceptances because they wrote and submitted relentlessly. By my senior year, a colleague who I had written off as mediocre had won the departmental fiction award and had been published in a literary magazine with an acceptance rate lower than Harvard. That sobered me up real quick.
There’s nothing you can’t fix in post-production. Okay, there are some things you can’t fix in revision, and some projects do require you to rip out the seams and start again from an entirely new pattern, but that’s rare. Your first draft should be you putting color on the canvas, or chipping a rough form out of marble. I used to be a habitual edit-as-I-went type and it became crippling. I could never finish a first draft, and would spend ages re-writing the first 17 pages. Don’t be me. Lean into the discomfort of not-perfect and keep pushing through.
Don’t spend eons working on the same project. At least not without working on other things too. True, some writers spend ten years agonizing over their debut novel which is published to much acclaim, but they are outliers. Allow yourself to try new forms, tell new stories, to play and grow. This will build up your portfolio and give you more things to submit while you chip away at that magnum opus. It will also making getting said magnum opus published 500% easier since you won’t have emerged from the vapor, unheard of and unproven.
Listen to criticism, but don’t write by committee. In order to graduate from my program, we had to write 50 pages of a novel and commit to working them over with twenty people weighing in on our progress every week. It was incredibly easy to become a slave to other people’s advice (which would inevitably conflict) and lose yourself rushing to appease every opinion. We refer to this phenomenon as “writing by committee”. Know who your trusted critique partners are and be vulnerable to them, but don’t invite everyone in. You can’t be all things to all people.
In order for some to love your work, others have to hate it. Not everyone is going to love what you have to bring to the table (ex: I recognize Brandon Sanderson is an excellent writer and I adore listening to him talk writing, but I don’t enjoy his books) but having people divided on your stories is far preferable to having everyone shrug and say “they’re alright I guess”. Nothing to write home about”. A few bad reviews are always worth making the statement, taking the artistic risk, or being honest to the story you want to tell. An exception to this rule is being belligerently dismissive of other people’s constructive critique, especially if that critique sounds a little like “you’re being an ass”.
Routine is God’s gift to writers. If you want this life to pay you like a job, you have to treat it like a job. That means carving our regular time in your schedule to write, setting project goals with deadlines, and seeking out critique partners and beta readers who will support your journey and keep you accountable. For the last few years, I drifted from project to project, only submitting when I felt like it, and I had not been published for years. In October of 2017 I made myself a promise to start treating my writing like the career I always wanted it to be. I set daily word goals, wrote down submission dates on my calendar, researched marketing and self publishing, and spruced up my social media. It is now September of 2018 and I have self-published my first novella and had a short story published in a traditional anthology. Attitude makes a world of difference.
Read where you submit, and then read their guidelines twice. I’m sure you’ve heard this one but it bears repeating. Take the time to get a real feel for the magazine or publisher you’re swinging for, then tailor your cover letter/query letter to their tone and specs.
We’re literally all faking it. Neil Gaiman? Lied about his experience to get his first publication. F. Scott Fitzgerald? An absolute disaster who couldn’t spell. Donna Tartt? Committed to her authorial brand before anyone knew her name. The only thing that makes someone a writer is their decision to do the work and call themselves a writer. You do that long enough, and soon other people start calling you a writer too. When I first started posting my writing on Tumblr way back in ye olde 2012, I posted my poems in quotations with my pen-name at the bottom like a ~real~ author That created the social proof I needed for people to search for my name, ask my questions about my work, and encourage me to keep going.
Imposter syndrome does not go away when you get a byline. If not being published is eating up at you, so will not being published in the “right” magazines, or not getting a high enough advance, or not being invited to conventions, or not selling enough copies of your first print run. The earlier in your career you can get a handle on that little demon called Not-A-Real-Writer that lives in your chest, the better.
You will need to rest. This is a tough lesson for us go-go-types, but you can’t pour from an empty cup, and you can’t create when you’re burnt out, poorly fed, badly rested, or stressed to the max. There are seasons for pushing through the exhaustion to the accomplishment on the other side, but this can’t be your normal. Don’t forget to check in with your body for captured tension (in grinding teeth, tight shoulders, shallow breaths) and please nourish your flesh vessel with brisks walks, cold water, long baths, snooze buttons, and comforting fresh-from-the-oven goodies.
We’re out here together hustling and trying to pull words together into stories worth sharing, so no matter where you are in your writing career, I believe in you!
What are some lessons about writing you wish someone had shared with you sooner? Leave them in the comments section below; I’m curious to know!
Anyone out there want a free e-copy of ODD SPIRITS in exchange for an honest review on their blog/social media and Amazon?
It takes a lot of commitment to make a marriage between a modern ceremonial magician and a chaos witch work, but when a malevolent entity takes up residence in Rhys and Moira’s home, their love will be pushed to the limits. Brewing up a solution is easier said than done when your magical styles are polar opposites; throw a psychic ex and a secret society in the mix, and things are bound to get messy.
Think The Haunting of Hill House meets The Raven Cycle with a multicultural married couple and LGBTQ protags. The book is novella length at just under 100 pages, so it’s a perfect weekend read.
Comment below or shoot me a message at firstname.lastname@example.org if you’re interested and I’ll hook you up, no strings attached! E-copies will be sent out early next week.
Non-book bloggers, make sure to mark Odd Spirits as to-read on Goodreads,and keep your eyes peeled for a super-steal sale on pre-orders coming in just a few days!