FICTION REVIEW: A Choir of Lies

Welcome to September, goblins! Yesterday was publication day for one of the prettiest books of 2019, Alexandra Rowland’s A CHOIR OF LIES, which I was so happy to get my hands on an arc copy of. To celebrate, I’m bringing you all my review. Trust me, you’re going to want this one on your TBR.

Three years ago, Ylfing watched his master-Chant tear a nation apart with nothing but the words on his tongue. Now Ylfing is all alone in a new realm, brokenhearted and grieving—but a Chant in his own right, employed as a translator to a wealthy merchant of luxury goods, Sterre de Waeyer. But Ylfing has been struggling to come to terms with what his master did, with the audiences he’s been alienated from, and with the stories he can no longer trust himself to tell.

That is, until Ylfing’s employer finds out what he is, what he does, and what he knows. At Sterre’s command, Ylfing begins telling stories once more, fanning the city into a mania for a few shipments of an exotic flower. The prices skyrocket, but when disaster looms, Ylfing must face what he has done and decide who he wants to be: a man who walks away and lets the city shatter, as his master did? Or will he embrace the power of story to save ten thousand lives?

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This is a gem of a book full of grit-teeth, open-eyed hope in humans’ ability to pull themselves up off the ground and do the right thing, even when the chips are down. It’s also full of snarky storytelling rap battles, tulip mania, whirling auction houses, lies that catch fire and almost take the teller down with them, and some grade A flirting. I’m so pleased to have gotten an ARC for review.

I loved so much about this book. I loved the slow unraveling of half-forgotten myths, the stories from faraway places dispersed throughout, the crowded canal city where our sweet, sensitive protagonist Ylfing finds himself living. Tender, introspection male protagonists are in short supply in any genre, but Ylfing is so wonderful and richly drawn. The strong, vibrant, morally complex middle aged women he finds himself surrounded by gave me life, and I fell in love with his problematic, smooth-talking, hedonist beau.

I’m not usually a fan of second world fantasy; one look at a string of fantasy place names and proper nouns and my eyes start to glaze over. But Rowland has pulled off a very clever magic trick here in making a complex, detailed fantasy world feel cozy and folkloric. They do this by feeding the audience world-building in tiny, tasty bites, like they’re guiding us through a cheese plate. A lot of people have already talked about the metatextual elements of this book (we have footnotes from an annotator reading the memoir of our protagonist about events they both experienced! your faves could NEVER!) but even those clever moments of commentary insertion feel naturalistic, effortless. Hell, Rowland can even make economic commentary RIVETING. Want to see how bubble economies are hatched, nurtured, and then grow big enough to threaten the safety of entire merchant city-states? Yes, you do. Trust me.

This is a book that takes you by the hand and spins you a yarn that grows bigger and wilder than you can ever imagine, but you don’t want to pull your hand away, not even for a second, because you trust somehow that you want to end up on the other side of wherever it’s going. I can’t recommend it highly enough.

AMAZON: tinyurl.com/yxpwgemo

BARNES AND NOBLE: tinyurl.com/y2hqzv34

INDIEBOUND: tinyurl.com/y6pxw6jd

GOODREADS: tinyurl.com/yxfjjptq

2018 Wrap-Up: Novella Edition

Ah yes, the drowsy, dark days between the December holidays and New Years, where we all enjoy some well-earned time off work, soak up the love of family, and…panic about how few days there are left hit our reading challenge goals. Not sure how you’re gonna cram all of Jonathon Strange and Mr. Norrell into these last few twilight days of the year? Never fear, I’ve got a list of all the short works of fiction I read in 2018 so that you can pluck out some gems to affix last-minute to your 2018 reading challenge crown.

Reader, I love the novella. Just long enough to build worlds and characters, just short enough that you’re encouraged to fill in gaps with your imagination, embodying both the sparkling brevity of a short story and the languid embrace of a novel…and, uh, you can read them hella fast. Some of the works listed below are more like long short stories (A Kiss With Teeth clocks in at less than 40 pages) and I would argue that others are pushing the boundaries into novel (The Black Tides of Heaven is 240 pages but worth it). These are all fantasy stories of varying flavors and most of them Tor.com originals, but hopefully there’s a little something here for everyone, and the best part? Half of these are available online for FREE.

SIX GUN SNOW WHITE by Catherynne M. Valente

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I am a consummate Valente devotee, and despite reveling in Space Opera this year, I think I enjoyed this Wild West fairy tale retelling even more. Here, sharpshooting mixed-race Snow White flees her racist step-mother and her poisonous trappings of “proper womanhood”, and adventures through mining towns, refugee camps, and the live-wire wilderness of an America on the brink of industrialization. It has all of Valente’s razor-sharp meditations on gender, race, and destiny, mixed in with her unbeatable prose and divine gift for fable. This one is sure to sink its teeth into your heart and not let go.

THE BLACK TIDES OF HEAVEN by J.Y. Yang

This one has been on my tbr for too long, and Yang’s silkpunk vision of an imperial family torn apart by attempted assassinations, prophetic dreams, and interpersonal conflict is at once epic and searingly personal. This world where mechanical technology clashes with a form of magic known as “slackcraft” is gorgeously realized, along with a society in which all people are born genderless and choose their gender (or lack thereof) when they’re ready. This book with thrill you, break your heart, and leave you hungry for the next installment.

A KISS WITH TEETH by Max Gladstone

This has got to be my favorite Tor.com original story of the year, maybe of all time. This tautly written send-up to the vampire genre imagines what it would be like for an immortal predator to struggle to fit into American suburbia and raise a small boy with his wife. The story is thoroughly fun but never kitchy or cliche, and it explores issues of fidelity, identity, and parenthood with deft insight. The best part? A passionate romance between a married couple. Sign me up.

THE LITANY OF EARTH by Ruthanna Emrys

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Reader, I felt this one in my gut. This is a quiet, misty-edged novelette that perfectly captures the tender, aching start of new life after unspeakable trauma. Our protagonist Aphra, a devotee of Lovecraft’s old gods, has recently been released from the internment camp where she and her family were unjustly held, and is trying to rebuild herself. However, people obsessed with her family’s legacy and religion keep finding her, preventing her from withdrawing from the past forever. This book dives into the intricacies and contradictions of a childhood defined by faith of any kind, and offers a humanizing but still wonderfully weird take on the Lovecraft mythos. I’ll be picking up Winter Tide, the full-length follow-up novel, in the new year.

THE PRINCE AND HER DREAMER by Kayla Bashe

If you need a little sugar-dusted heartwarming holiday cheer, this queer Nutcracker retelling is for you. I’ve been a fan of Bashe’s work for some time, and their prose has only gained more glittering clarity as time has passed. The author’s particular strength for capturing deep romantic friendship between women (and in this case, a nonbinary person) shines through. I adored Bashe’s take on Drosselmeyer and found myself loving and rooting for Prince Mathilde and Clara, despite only having known them a short time.  By and large, the story is easy to follow and thoroughly charming, especially for someone looking for a diverse romance to brighten up their holidays.

THE GIRL WHO RULED FAIRYLAND – FOR A LITTLE WHILE by Catherynne M. Valente

Yes, Valente again. If you’re looking for a shorter introduction to her work, and to her well-loved Fairyland series, this may be a good place to start. Ever-practical village witch Mallow is called into the glittering capitol of Fairyland and, with the help of a flirtatious Jack of the Wood and some wild, gossipy winds, she must uncover the secret behind Fairyland’s inevitable decay before its too late. In the process she will learn the true meaning of sacrifice and responsibility. Like all of Valente’s work, this story is a little bloody, a little quirky, and a whole lot of lovely.

And there you have it folks! Six short titles to kick your reading challenge into gear in these last four days of the year. What were your favorite short fiction works of 2018?

ROBBERGIRL Cover Reveal and Preorder Announcement!

At long last I can unveil the cover for ROBBERGIRL, designed by the phenomenal Lena Yang. This sapphic Snow Queen retelling is possibly even more dear to my heart than my last book, and it’s certainly longer and more jam-packed with mystery, romance, reindeer, and knife fights.

This beauty will be widely available on Valentines Day 2019, so read on for the synopsis and pre-order information!

In a Sweden wracked by war and haunted by folk stories so dark they can only be spoken of in whispers, Helvig has been raised by her brigand father to steal whatever treasure catches her eye. When her men ambush a girl on the road with hair pale as death and a raven perched on her shoulder, Helvig cannot resist bringing home a truly unique prize: a genuine witch.

Drawn irresistibly into the other woman’s web, Helvig soon learns of Gerda’s reason for walking the icy border roads alone: to find the Queen at the top of the world and kill her. Anyone else would be smart enough not to believe a children’s story, but Helvig is plagued by enchantments of her own, and she struggles to guard the sins of her past while growing closer to Gerda.

As Christmastide gives way to the thin-veiled days when ghosts are at their most vengeful, the two women find themselves on a journey through forest and Samiland to a final confrontation that will either redeem them or destroy them entirely.

It’s DEATHLESS meets FINGERSMITH in this coming-of-age fable.

Readers in the US can pre-order their autographed paperback copy directly from me.

I’m happy to announce that shipping speeds and tracking on direct-from-author orders have been improved for this title.Paperbacks and digital editions will become available through worldwide distributors on February 14, 2019.

If you’re not in a position to order a copy right now, sharing this post is a great help to me! If you’d like to donate to my ability to keep writing, considering contributing a dollar or two to my cute bat-themed patreon.

And of course, don’t forget to add this title to your to-read pile on Goodreads!

ODD SPIRITS is on 99¢ sale through the month of October!

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This novella will be on sale for the ghoulishly low price of $5.99 for paperbacks and 99¢ for e-copies until All Hallows Eve. You’ll never see it at a lower price, so grab your ticket to flirty tarot readings, folk religion, and mysterious hauntings today! 

It takes a lot of commitment to make a marriage between a modern ceremonial magician and a chaos witch work, but when a malevolent entity takes up residence in Rhys and Moira’s home, their love will be pushed to the limits. Brewing up a solution is easier said than done when your magical styles are polar opposites; throw a psychic ex and a secret society in the mix, and things are bound to get messy.

This diverse paranormal romance novella is perfect for fans of The Raven Cycle and The Haunting of Hill House!

“Like a lovingly-prepared home-cooked meal, Odd Spirits compels its reader to both devour and savor…Gibson’s background as a poet allows her to deftly create richly-drawn little moments.” –Rouges Portal

See what people are saying about the novella on Goodreads!

Ten Things They Don’t Teach You in Your Undergrad Writing Workshop

After getting asked a couple times this week for my advice to early career writers, I decided to throw everything I didn’t learn from my BA in creative writing into one handy reference. Many of these lessons have to do with emotional resilience, self discipline, and self care. Some of this advice is more pertinent to career writers than hobby or intermittent writers, so feel free to select what is helpful to you. And it’s okay if you’re in one category one day and another the next; identity is nebulous.

  1. Talent is only 30% responsible for success. During my time in my program, I saw incandescently talented writers languish in obscurity because they didn’t make the time to work on their writing, or because they didn’t think they were “good enough” to submit their work for publication (we call this self-rejection, which is another name for the devil). Other writers, objectively less talented and less experienced, ended up getting the grades and the acceptances because they wrote and submitted relentlessly. By my senior year, a colleague who I had written off as mediocre had won the departmental fiction award and had been published in a literary magazine with an acceptance rate lower than Harvard. That sobered me up real quick.
  2. There’s nothing you can’t fix in post-production. Okay, there are some things you can’t fix in revision, and some projects do require you to rip out the seams and start again from an entirely new pattern, but that’s rare. Your first draft should be you putting color on the canvas, or chipping a rough form out of marble. I used to be a habitual edit-as-I-went type and it became crippling. I could never finish a first draft, and would spend ages re-writing the first 17 pages. Don’t be me. Lean into the discomfort of not-perfect and keep pushing through.
  3. Don’t spend eons working on the same project. At least not without working on other things too. True, some writers spend ten years agonizing over their debut novel which is published to much acclaim, but they are outliers. Allow yourself to try new forms, tell new stories, to play and grow. This will build up your portfolio and give you more things to submit while you chip away at that magnum opus. It will also making getting said magnum opus published 500% easier since you won’t have emerged from the vapor, unheard of and unproven.
  4. Listen to criticism, but don’t write by committee. In order to graduate from my program, we had to write 50 pages of a novel and commit to working them over with twenty people weighing in on our progress every week. It was incredibly easy to become a slave to other people’s advice (which would inevitably conflict) and lose yourself rushing to appease every opinion. We refer to this phenomenon as “writing by committee”. Know who your trusted critique partners are and be vulnerable to them, but don’t invite everyone in. You can’t be all things to all people.
  5. In order for some to love your work, others have to hate it. Not everyone is going to love what you have to bring to the table (ex: I recognize Brandon Sanderson is an excellent writer and I adore listening to him talk writing, but I don’t enjoy his books) but having people divided on your stories is far preferable to having everyone shrug and say “they’re alright I guess”. Nothing to write home about”. A few bad reviews are always worth making the statement, taking the artistic risk, or being honest to the story you want to tell. An exception to this rule is being belligerently dismissive of other people’s constructive critique, especially if that critique sounds a little like “you’re being an ass”.
  6. Routine is God’s gift to writers. If you want this life to pay you like a job, you have to treat it like a job. That means carving our regular time in your schedule to write, setting project goals with deadlines, and seeking out critique partners and beta readers who will support your journey and keep you accountable. For the last few years, I drifted from project to project, only submitting when I felt like it, and I had not been published for years. In October of 2017 I made myself a promise to start treating my writing like the career I always wanted it to be. I set daily word goals, wrote down submission dates on my calendar, researched marketing and self publishing, and spruced up my social media. It is now September of 2018 and I have self-published my first novella and had a short story published in a traditional anthology. Attitude makes a world of difference.
  7. Read where you submit, and then read their guidelines twice. I’m sure you’ve heard this one but it bears repeating. Take the time to get a real feel for the magazine or publisher you’re swinging for, then tailor your cover letter/query letter to their tone and specs.
  8. We’re literally all faking it. Neil Gaiman? Lied about his experience to get his first publication. F. Scott Fitzgerald? An absolute disaster who couldn’t spell. Donna Tartt? Committed to her authorial brand before anyone knew her name. The only thing that makes someone a writer is their decision to do the work and call themselves a writer. You do that long enough, and soon other people start calling you a writer too. When I first started posting my writing on Tumblr way back in ye olde 2012, I posted my poems in quotations with my pen-name at the bottom like a ~real~ author That created the social proof I needed for people to search for my name, ask my questions about my work, and encourage me to keep going.
  9. Imposter syndrome does not go away when you get a byline. If not being published is eating up at you, so will not being published in the “right” magazines, or not getting a high enough advance, or not being invited to conventions, or not selling enough copies of your first print run. The earlier in your career you can get a handle on that little demon called Not-A-Real-Writer that lives in your chest, the better.
  10. You will need to rest. This is a tough lesson for us go-go-types, but you can’t pour from an empty cup, and you can’t create when you’re burnt out, poorly fed, badly rested, or stressed to the max. There are seasons for pushing through the exhaustion to the accomplishment on the other side, but this can’t be your normal. Don’t forget to check in with your body for captured tension (in grinding teeth, tight shoulders, shallow breaths) and please nourish your flesh vessel with brisks walks, cold water, long baths, snooze buttons, and comforting fresh-from-the-oven goodies.

We’re out here together hustling and trying to pull words together into stories worth sharing, so no matter where you are in your writing career, I believe in you!

What are some lessons about writing you wish someone had shared with you sooner? Leave them in the comments section below; I’m curious to know!

FIENDS has arrived!

THE FIENDS IN THE FURROWS anthology, featuring my Southern Gothic story “Revival”, is available now in ebook and paperback!

Growing up as a girl in a conservative religious community is challenging, especially when you’re the bastard child of a snake-handling Pentecostal preacher and a Catholic waitress. Considered unclean by the congregation and her grandfather, the fearsome Reverend, because of her affinity for the church’s’ venomous snakes, eight-year-old Callie Ann spends most of her time feeding crickets and mice to her only friends.

 But as the Reverend’s sinister hold on his rapt flock grows, so does Callie’s connection to her dead mother, and a dark prophecy begins to take shape. 

What People Are Saying

“Revival finds that old time religion venomously snaking its way back, to the peril of those who would dare to dance with vipers and tempt Fate itself.”

“Gibson’s Revival was like THE BAD SEED set to a religious hymn (that’s a good thing)”

If you’re craving some grimy gothic goodness with your brave little girls toppling abusive religious hierarchies, add FIENDS to your Goodreads TBR! Also be sure to subscribe to my intermittent author newsletter to stay in the loop about new publications, giveaways, and flash sales!  🕸🐍🌾💀

On Writing Southern Gothic

Today over on tumblr, someone asked me for “tips for writing about those foggy marsh drenched southern gothics”, and I decided to share what I had to say with ya’ll as well.

Gothic genres are squarely situated in their geographic locations, so the best way to get a feel for a Gothic genre is to get a feel for the land. If taking a trip to the bayou or Piedmont is prohibitive, read the greats. I recommend Flannery O’Connor’s entire body of work, the Anne Rice novels set in New Orleans, and Faulkner’s “A Rose for Emily”.  You can also check out  My Blood on the Scrarecrow Southen Gothic inspo tag.

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Photo courtesy of Rodney Harvey

As far as craft advice goes, avoid dialect. Dialect is phonetically rendering words the way they may sound in an accent (nuthin’, wassat, sho’nuf) and it tends to be distracting to the reader and insulting to the speakers of the accent you are invoking. You can invoke an accent through word choice and placement instead (see my use of vernacular terms like “best believe” in the prompts below) and the best way to learn these turns-of-phrase is to listen to native speakers

Similarly, steer clear of tropes that have now crossed the threshold into hurtful stereotype such as the ignorant redneck, “magical negro”, Jezebel, mammy, or in-bred mountain family, unless you have a very good reason. Odds are, unless its intelligent subversion, your reason is not good enough.

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Still from AMC’s Preacher.

I still feel like my Southern Gothic writing is bit of a caricature in many ways, because the first breath I took wasn’t muggy and magnolia-sweet, but after a decade of my formative years spent in the mountains of western North Carolina, I’ve got an inkling. Here are some jumping off points for you:

  • If you don’t leave this town by nineteen years old, you won’t leave at all. If you try, you’ll find all roads lead back to your now-abandoned high school.
  • You can do all the brutalizing, cheating, and bloodletting you want inside this house, but God help you if the neighbors hear about it.
  • The forest takes a couple of human sacrifices a year, lost hikers or fresh graduates who had a little bit too much to drink at the homecoming party. It’s simply the way of things.
  • The cicadas do the screaming for every neglected child, battered wife, and dispossessed son who can’t shout for themselves.
  • Everyone sees the sinful things their neighbors drag across their backyards in the middle of the night. They just have the good sense not to go around letting on that they know about it.
  • Heredity is horrifying. You wouldn’t believe the kinds of things you can inherit.
  • You’d better not break the heart of the wrong local girl, because there’s a good chance she’s got a granny witch living up in one of the hollers who’ll stick your name in a mason jar with some piss and pins and make your life a living hell.
  • If you cut the magnolia trees, they’ll bleed red as you or me.
  • It’s not a matter of if the preacher man has seen the devil, it’s a question of whether or not he greeted him as an old friend.
  • When you finally meet Jesus, you best believe he’s going to be carrying a list of crimes for you to answer for.

If you’d like to hear more of my  overgrown,God-haunted thoughts on the subject, check out my Southern Gothic story REVIVAL in the Fiends in the Furrows anthology! This story is my homage to the South, and it’s got snake handling, brave little girls, and fiendish prophecies in it.

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