It takes a lot of commitment to make a marriage between a modern ceremonial magician and a chaos witch work, but when a malevolent entity takes up residence in Rhys and Moira’s home, their love will be pushed to the limits. Brewing up a solution is easier said than done when your magical styles are polar opposites; throw a psychic ex and a secret society in the mix, and things are bound to get messy.
This diverse paranormal romance novella is perfect for fans of The Raven Cycle and The Haunting of Hill House!
“Like a lovingly-prepared home-cooked meal, Odd Spirits compels its reader to both devour and savor…Gibson’s background as a poet allows her to deftly create richly-drawn little moments.” –Rouges Portal
Growing up as a girl in a conservative religious community is challenging, especially when you’re the bastard child of a snake-handling Pentecostal preacher and a Catholic waitress. Considered unclean by the congregation and her grandfather, the fearsome Reverend, because of her affinity for the church’s’ venomous snakes, eight-year-old Callie Ann spends most of her time feeding crickets and mice to her only friends.
But as the Reverend’s sinister hold on his rapt flock grows, so does Callie’s connection to her dead mother, and a dark prophecy begins to take shape.
What People Are Saying
“Revival finds that old time religion venomously snaking its way back, to the peril of those who would dare to dance with vipers and tempt Fate itself.”
“Gibson’s Revival was like THE BAD SEED set to a religious hymn (that’s a good thing)”
Gothic genres are squarely situated in their geographic locations, so the best way to get a feel for a Gothic genre is to get a feel for the land. If taking a trip to the bayou or Piedmont is prohibitive, read the greats. I recommend Flannery O’Connor’s entire body of work, the Anne Rice novels set in New Orleans, and Faulkner’s “A Rose for Emily”. You can also check out My Blood on the Scrarecrow Southen Gothic inspo tag.
As far as craft advice goes, avoid dialect. Dialect is phonetically rendering words the way they may sound in an accent (nuthin’, wassat, sho’nuf) and it tends to be distracting to the reader and insulting to the speakers of the accent you are invoking. You can invoke an accent through word choice and placement instead (see my use of vernacular terms like “best believe” in the prompts below) and the best way to learn these turns-of-phrase is to listen to native speakers
Similarly, steer clear of tropes that have now crossed the threshold into hurtful stereotype such as the ignorant redneck, “magical negro”, Jezebel, mammy, or in-bred mountain family, unless you have a very good reason. Odds are, unless its intelligent subversion, your reason is not good enough.
I still feel like my Southern Gothic writing is bit of a caricature in many ways, because the first breath I took wasn’t muggy and magnolia-sweet, but after a decade of my formative years spent in the mountains of western North Carolina, I’ve got an inkling. Here are some jumping off points for you:
If you don’t leave this town by nineteen years old, you won’t leave at all. If you try, you’ll find all roads lead back to your now-abandoned high school.
You can do all the brutalizing, cheating, and bloodletting you want inside this house, but God help you if the neighbors hear about it.
The forest takes a couple of human sacrifices a year, lost hikers or fresh graduates who had a little bit too much to drink at the homecoming party. It’s simply the way of things.
The cicadas do the screaming for every neglected child, battered wife, and dispossessed son who can’t shout for themselves.
Everyone sees the sinful things their neighbors drag across their backyards in the middle of the night. They just have the good sense not to go around letting on that they know about it.
Heredity is horrifying. You wouldn’t believe the kinds of things you can inherit.
You’d better not break the heart of the wrong local girl, because there’s a good chance she’s got a granny witch living up in one of the hollers who’ll stick your name in a mason jar with some piss and pins and make your life a living hell.
If you cut the magnolia trees, they’ll bleed red as you or me.
It’s not a matter of if the preacher man has seen the devil, it’s a question of whether or not he greeted him as an old friend.
When you finally meet Jesus, you best believe he’s going to be carrying a list of crimes for you to answer for.
After seeing a number of my friends toting around Queering Lent,I decided to pick up the slim volume of devotional poems penned by a nonbinary pansexual Presbyterian pastor. Written as a spiritual practice over the course of last year’s Lent, the highly personal poems touch on interwoven themes of suffering, identity, and empathy burnout, all while employing classical mystical language of God as Lover.
Independent publishing can be a toss-up, so when I find something that shines in the lackluster mire of self-published titles, I’m quick to promote it. Queering Lent gleams despite its unpretentious packaging, and while some of the poems are unremarkable, many have a sort of understated profundity to them that’s hard to forget. In particular, I found the poetic sermon on binaries, the expansiveness of God, and the upside-down kingdom of Heaven in the back of the book to be particularly stirring, and I’ll be returning to it again and again in this Lenten season and beyond.
I’ve had the pleasure of meeting Slats a number of times, and they’re a truly unique artist and ardent lover of God who has a way of infecting atmospheres with joy. If you’re interested in learning more about the creative process behind Queering Lent, you can check out this feature on Slats over at Sanctified Art. You can buy a copy of Queering Lent on Amazon, and 100% of the proceeds go to organizations committed to supporting queer and trans people in the church.
A few days ago, an anoymous reader asked me over at Millennial Gospel if I knew of any books in a similar vein of progressive, experimental, grassroots theology. While I’m not as well-versed in Christian nonfiction as I would like to be, I do read an awful lot of it, and thought I would point you all towards the best of what I’ve read in the genre.
I read heaps of spiritual memoir, which is where I find the most authentic, gritty accounts of faith in a postmodern world.
Rachel Held Evan’s Searching for Sunday accounts her journey out of evangelicalism and her wrestling with faith in the Episcopal church
Nadia Bolz Weber’s Pastrix is the story of a rough, addicted, tattooed woman finding God and becoming one of the most unorthodox and celebrated pastors on the Lutheran scene right now
Donald Miller’s Blue Like Jazz is a classic work of “emergent” Christianity, andshares the story of his chaotic, beautiful re-discovery of a God who had disappointed him in childhood
Christian Wiman’s My Bright Abyss is a prose-poetry story of struggling towards the ineffable Divine in a life of academia, love, and illness.
For those interested in progressive, Biblical perspectives on gender and sexuality
Mark Labberton’s Understanding Gender Dysphoria: Navigating Transgender Issues in a Changing Culture covers the science of gender dysphoria, different theologies of difference and inclusion, and treatment options for trans youth all from a moderate, Christ-centered perspective.
Sarah Bessey’s Jesus Feminist is an affirmation of the God-given dignity and power of women told in a bounteously grace-filled, warm tone that invites both men and women into God’s vision for equality
Mark Gushee’s Changing Our Minds and Matthew Vines’ God and the Gay Christian for those seeking a Biblical, ethical, and sociological defense of the inclusion of partnered LGBTQ folks in the kingdom of God
Budding theologians will enjoy
Richard Rohr and Mike Morrel’s invitational exploration of the mystical, relational Trinity in The Divine Dance
The more ambitious should pick up Elizabeth Johnson’s She Who Is: The Mystery of God in Feminist Theological Discourse, after which you may never need another defense of the feminine face of God.
I read a lot of political theology and liberation theology for graduate school, but I would not wish 45 page academic articles on you guys! That said, I do really like
Lammin Saneh’s Whose Religion is Christianity: The Gospel Beyond the West, which explores the theological and cultural shift of Christianity to the global East and South, and unpack colonialism, western guilt, and new trends in Christianity in a conversational, question and answer format.
But I’ll keep my eyes peeled for any accessible introductions and point them your way.
What other titles in progressive Christianity do you consider essential? Comment with your favorites and I’ll add them to my TBR!